Those of us who have been true readers all of our life (an excerpt from C. S. Lewis)

“Those of us who have been true readers all our life seldom fully realize the enormous extension of our being which we owe to authors. We realize it best when we talk with an unliterary friend. He may be full of goodness and good sense but he inhabits a tiny world. In it, we should be suffocated. The man who is contented to be only himself, and therefore less a self, is in prison. My own eyes are not enough for me, I will see through those of others. Reality, even seen through the eyes of many, is not enough. I will see what others have invented . . .

Reading great literature I become a thousand men and yet remain myself. Like the night sky in the Greek poem, I see with a myriad eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself; and am never more myself than when I do.”

If You Knew (Ellen Bass)

What if you knew you’d be the last
to touch someone?
If you were taking tickets, for example,
at the theater, tearing them,
giving back the ragged stubs,
you might take care to touch that palm,
brush your fingertips
along the life line’s crease.

When a man pulls his wheeled suitcase
too slowly through the airport, when
the car in front of me doesn’t signal,
when the clerk at the pharmacy
won’t say Thank you, I don’t remember
they’re going to die.

A friend told me she’d been with her aunt.
They’d just had lunch and the waiter,
a young gay man with plum black eyes,
joked as he served the coffee, kissed
her aunt’s powdered cheek when they left.
Then they walked half a block and her aunt
dropped dead on the sidewalk.

How close does the dragon’s spume
have to come? How wide does the crack
in heaven have to split?
What would people look like
if we could see them as they are,
soaked in honey, stung and swollen,
reckless, pinned against time?

Introduction to Poetry (Billy Collins)

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

Trying to Raise the Dead (Dorraine Laux)

Look at me. I’m standing on a deck
in the middle of Oregon. There are
friends inside the house. It’s not my

house, you don’t know them.
They’re drinking and singing
and playing guitars. You love

this song, remember, “Ophelia,”
Boards on the windows, mail
by the door. I’m whispering

so they won’t think I’m crazy.
They don’t know me that well.
Where are you now? I feel stupid.

I’m talking to trees, to leaves
swarming on the black air, stars
blinking in and out of heart-

shaped shadows, to the moon, half-
lit and barren, stuck like an axe
between the branches. What are you

now? Air? Mist? Dust? Light?
What? Give me something. I have
to know where to send my voice.

A direction. An object. My love, it needs
a place to rest. Say anything. I’m listening.
I’m ready to believe. Even lies, I don’t care.

Say burning bush. Say stone. They’ve
stopped singing now and I really should go.
So tell me, quickly. It’s April. I’m

on Spring Street. That’s my gray car
in the driveway. They’re laughing
and dancing. Someone’s bound

to show up soon. I’m waving.
Give me a sign if you can see me.
I’m the only one here on my knees.

Creatures (Billy Collins)

Hamlet noticed them in the shapes of clouds,
but I saw them in the furniture of childhood,
creatures trapped under surfaces of wood,

one submerged in a polished sideboard,
one frowning from a chair-back,
another howling from my mother’s silent bureau,
locked in the grain of maple, frozen in oak.

I would see these presences, too,
in a swirling pattern of wallpaper
or in the various greens of a porcelain lamp,
each looking so melancholy, so damned,
some peering out at me as if they knew
all the secrets of a secretive boy.

Many times I would be daydreaming
on the carpet and one would appear next to me,
the oversize nose, the hollow look.

So you will understand my reaction
this morning at the beach
when you opened your hand to show me
a stone you had picked up from the shoreline.

“Do you see the face?” you asked
as the cold surf circled our bare ankles.
“There’s the eye and the line of the mouth,
like it’s grimacing, like it’s in pain.”

“Well, maybe that’s because it has a fissure
running down the length of its forehead
not to mention a kind of twisted beak,” I said,

taking the thing from you and flinging it out
over the sparkle of blue waves
so it could live out its freakish existence
on the dark bottom of the sea

and stop bothering innocent beachgoers like us,
stop ruining everyone’s summer.

You Want a Physicist to Speak at Your Funeral (Aaron Freeman)

You want a physicist to speak at your funeral. You want the physicist to talk to your grieving family about the conservation of energy, so they will understand that your energy has not died. You want the physicist to remind your sobbing mother about the first law of thermodynamics; that no energy gets created in the universe, and none is destroyed. You want your mother to know that all your energy, every vibration, every Btu of heat, every wave of every particle that was her beloved child remains with her in this world. You want the physicist to tell your weeping father that amid energies of the cosmos, you gave as good as you got.

And at one point you’d hope that the physicist would step down from the pulpit and walk to your brokenhearted spouse there in the pew and tell him that all the photons that ever bounced off your face, all the particles whose paths were interrupted by your smile, by the touch of your hair, hundreds of trillions of particles, have raced off like children, their ways forever changed by you. And as your widow rocks in the arms of a loving family, may the physicist let her know that all the photons that bounced from you were gathered in the particle detectors that are her eyes, that those photons created within her constellations of electromagnetically charged neurons whose energy will go on forever.

And the physicist will remind the congregation of how much of all our energy is given off as heat. There may be a few fanning themselves with their programs as he says it. And he will tell them that the warmth that flowed through you in life is still here, still part of all that we are, even as we who mourn continue the heat of our own lives.

And you’ll want the physicist to explain to those who loved you that they need not have faith; indeed, they should not have faith. Let them know that they can measure, that scientists have measured precisely the conservation of energy and found it accurate, verifiable and consistent across space and time. You can hope your family will examine the evidence and satisfy themselves that the science is sound and that they’ll be comforted to know your energy’s still around. According to the law of the conservation of energy, not a bit of you is gone; you’re just less orderly. Amen.

If I Were a Dog (Richard Shelton)

I would trot down this road sniffing
on one side and then the other
peeing a little here and there
wherever I felt the urge
having a good time what the hell
saving some because it’s a long road

but since I’m not a dog
I walk straight down the road
trying to get home before dark

if I were a dog and I had a master
who beat me I would run away
and go hungry and sniff around
until I found a master who loved me
I could tell by his smell and I
would lick his face so he knew

or maybe it would be a woman
I would protect her we could go
everywhere together even down this
dark road and I wouldn’t run from side
to side sniffing I would always
be protecting her and I would stop
to pee only once in awhile

sometimes in the afternoon we could
go to the park and she would throw
a stick I would bring it back to her

each time I put the stick at her feet
I would say this is my heart
and she would say I will make it fly
but you must bring it back to me
I would always bring it back to her
and to no other if I were a dog

"I am fifty-four years old, the age my mother was when she died..." (Terry Tempest Williams)

“I am fifty four years old, the age my mother was when she died. This is what I remember: We were lying on her bed with a mohair blanket covering us. I was rubbing her back, feeling each vertebra with my fingers as a rung on a ladder. It was January, and the ruthless clamp of cold bore down on us outside. Yet inside, Mother’s tenderness and clarity of mind carried its own warmth. She was dying in the same way she was living, consciously.

“I am leaving you all my journals,” she said, facing the shuttered window as I continued rubbing her back. “But you must promise me that you will not look at them until after I am gone.”

I gave her my word. And then she told me where they were. I didn’t know my mother kept journals.

A week later she died. That night, there was a full moon encircled by ice crystals.

On the next full moon I found myself alone in the family home. I kept expecting Mother to appear. Her absence became her presence. It was the right time to read her journals. They were exactly where she said they would be: three shelves of beautiful clothbound books; some floral, some paisley, others in solid colors. The spines of each were perfectly aligned against the lip of the shelves. I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It, too, was empty, as was the fourth, the fifth, the sixth – shelf after shelf after shelf, all my mother’s journals were blank.”

In the Blackwater Woods (Mary Oliver)

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.

Wild Geese (Mary Oliver)

You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about your despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.

Kindness (Naomi Shihab Nye)

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.
Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
it is I you have been looking for,
and then goes with you every where
like a shadow or a friend.

To Myself (W. S. Merwin)

Even when I forget you
I go on looking for you
I believe I would know you
I keep remembering you
sometimes long ago but then
other times I am sure you
were here a moment before
and the air is still alive
around where you were and I
think then I can recognize
you who are always the same
who pretend to be time but
you are not time and who speak
in the words but you are not
what they say you who are not
lost when I do not find you

Detour (Ruth Feldman)

I took a long time getting here,

much of it wasted on wrong turns,

back roads riddled by ruts.

I had adventures

I never would have known

if I proceeded as the crow flies.

Super highways are so sure

of where they are going:

they arrive too soon.

A straight line isn’t always

the shortest distance

between two people.

Sometimes I act as though

I’m heading somewhere else

while, imperceptibly,

I narrow the gap between you and me.

I’m not sure I’ll ever

know the right way, but I don’t mind

getting lost now and then.

Maps don’t know everything.

Fire (Judy Brown)

What makes a fire burn
is space between the logs,
a breathing space.
Too much of a good thing,
too many logs
packed in too tight
can douse the flames
almost as surely
as a pail of water would.
So building fires
requires attention
to the spaces in between,
as much as to the wood.

When we are able to build
open spaces
in the same way
we have learned
to pile on the logs,
then we can come to see how
it is fuel, and absence of the fuel
together, that make fire possible.

We only need to lay a log
lightly from time to time.
A fire
grows
simply because the space is there,
with openings
in which the flame
that knows just how it wants to burn
can find its way.

Remind me again (William Stafford)

Remind me again- together we
trace our strange journey, find
each other, come on laughing.
Some time we'll cross where life
ends. We'll both look back
as far as forever, that first day.
I'll touch you-a new world then.
Stars will move a different way.
We'll both end. We'll both begin.

Remind me again.

Martin Luther King Jr. Mourns Trayvon Martin (lauren K. Alleyen)

For you, son,
I dreamed a childhood
unburdened by hate;
a boyhood of adventure—
skinned knees and hoops,
first loves and small rebellions;
I dreamed you whole
and growing into your own
manhood, writing its definitions
with your daily being.
I dreamed you alive, living.

For you, America’s African heir,
I dreamed a future
of open doors, of opportunity
without oppression,
of affirmation and action,
I dreamed Oprah and Obama
I dreamed Colin and Condoleezza
I dreamed doctors and dancers,
lawyers and linebackers, models,
musicians, mechanics, preachers
and professors and police, authors,
activists, astronauts, even,
all black as Jesus is.

I dreamed you dapper—
the black skin of you
polished to glow; your curls,
your kinks, your locs,
your bald, your wild,
your freshly barbered—
all beautiful.

I dreamed you wearing whatever the hell you want
and not dying for it.

For you, brother,
I dreamed a world softened
by love, free from the fear
that makes too-early ancestors of our men;
turns our boys into targets,
headlines, and ghosts.

I had a dream
that my children will one day live
in a nation where they will not be judged
by the color of their skin
but by the content of their character.
Sweet song of my sorrow.
Sweet dream, deferred.
For you, gone one, I dreamed
justice—her scales tipped
away from your extinction,
her eyes and arms unbound
and open to you
at last.

Variation on the word "Sleep" (Margaret Atwood)

I would like to watch you sleeping,
which may not happen.
I would like to watch you,
sleeping. I would like to sleep
with you, to enter
your sleep as its smooth dark wave
slides over my head

and walk with you through that lucent
wavering forest of bluegreen leaves
with its watery sun & three moons
towards the cave where you must descend,
towards your worst fear

I would like to give you the silver
branch, the small white flower, the one
word that will protect you
from the grief at the center
of your dream, from the grief
at the center I would like to follow
you up the long stairway
again & become
the boat that would row you back
carefully, a flame
in two cupped hands
to where your body lies
beside me, and as you enter
it as easily as breathing in

I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.

Middle-Age (Pat Schneider)

The child you think you don’t want
is the one who will make you laugh.
She will break your heart
when she loses the sight in one eye
and tells the doctor she wants to be
an apple tree when she grows up.

It will be this child who forgives you
again and again
for believing you don’t want her to be born,
for resisting the rising tide of your body,
for wishing for the red flow of her dismissal.
She will even forgive you for all the breakfasts
you failed to make exceptional.

Someday this child will sit beside you.
When you are old and too tired of war
to want to watch the evening news,
she will tell you stories
like the one about her teenaged brother,
your son, and his friends
taking her out in a canoe when she was
five years old. How they left her alone
on an island in the river
while they jumped off the railroad bridge.

A Settlement (Mary Oliver)

Look, it’s spring. And last year’s loose dust has turned into this soft willingness. The wind-flowers have come up trembling, slowly the brackens are up-lifting their curvaceous and pale bodies. The thrushes have come home, none less than filled with mystery, sorrow, happiness, music, ambition.

And I am walking out into all of this with nowhere to go and no task undertaken but to turn the pages of this beautiful world over and over, in the world of my mind.

* * *
Therefore, dark past,
I’m about to do it.
I’m about to forgive you

for everything.

Onset (Kin Addonizio)

Watching that frenzy of insects above the bush of white flowers,
bush I see everywhere on hill after hill, all I can think of
is how terrifying spring is, in its tireless, mindless replications.
Everywhere emergence: seed case, chrysalis, uterus, endless manufacturing.
And the wrapped stacks of Styrofoam cups in the grocery, lately
I can’t stand them, the shelves of canned beans and soups, freezers
of identical dinners; then the snowflake-diamond-snowflake of the rug
beneath my chair, rows of books turning their backs,
even my two feet, how they mirror each other oppresses me,
the way they fit so perfectly together, how I can nestle one big toe into the other
like little continents that have drifted; my God the unity of everything,
my hands and eyes, yours; doesn’t that frighten you sometimes, remembering
the pleasure of nakedness in fresh sheets, all the lovers there before you,
beside you, crowding you out? And the scouring griefs,
don’t look at them all or they’ll kill you, you can barely encompass your own;
I’m saying I know all about you, whoever you are, it’s spring
and it’s starting again, the longing that begins, and begins, and begins.

Quicken (Dave Bronson)

Dig my feet in
make the earth below me spin

watch the green and snapping branches
coalesce and dim

I am among the light, the barely here
the about to begin

9 (Galway Kinnell)

When one has lived a long time alone,

and the hermit thrush calls and there is an answer,

and the bullfrog head half out of water utters

the cantillations he sang in his first spring,

and the snake lowers himself over the threshold

and creeps away among the stones, one sees

they all live to mate with their kind, and one knows,

after a long time of solitude, after the many steps taken

away from one's kind, toward these other kingdoms,

the hard prayer inside one's own singing

is to come back, if one can, to one's own,

a world almost lost, in the exile that deepens,

when one has lived a long time alone.

Rain Travel (W S Merwin

I wake in the dark and remember
it is the morning when I must start
by myself on the journey
I lie listening to the black hour
before dawn and you are
still asleep beside me while
around us the trees full of night lean
hushed in their dream that bears
us up asleep and awake then I hear
drops falling one by one into
the sightless leaves and I
do not know when they began but
all at once there is no sound but rain
and the stream below us roaring
away into the rushing darkness

How I Became a Madman (Kahlil Gibran)

You ask me how I became a madman. It happened thus: One day, long before many gods were born, I woke from a deep sleep and found all my masks were stolen — the seven masks I have fashioned and worn in seven lives — I ran maskless through the crowded streets shouting, “Thieves, thieves, the cursed thieves.”

Men and women laughed at me and some ran to their houses in fear of me.

And when I reached the market place, a youth standing on a house-top cried, “He is a madman.” I looked up to behold him; the sun kissed my own naked face for the first time. For the first time the sun kissed my own naked face and my soul was inflamed with love for the sun, and I wanted my masks no more. And as if in a trance I cried, “Blessed, blessed are the thieves who stole my masks.”

Thus I became a madman.

And I have found both freedom and safety in my madness; the freedom of loneliness and the safety from being understood, for those who understand us enslave something in us.

But let me not be too proud of my safety. Even a Thief in a jail is safe from another thief.

A Leading (Dave Bronson)

This forest shares its secrets with the wind,
Its whispered acorns; deeply buried prayers.
Where ferns glow green and stretch out spongy limbs,
And lichened rocks are holy altar stairs.
Black beetles genuflect and flash their shells.
Moth’s tattered wings reach out to supplicate.
The breath within the soil gently swells,
And lifts up cantillations to the day.
A tree trunk lays itself in feathered moss,
While rings of ivy lash it to the ground.
The ancient Oak knew nothing of it’s loss,
And wears the vines as Hera wears her crown.
I knew all this when I was still a child,
When God still showed His nature in the wild.

I Wrote This For You (Iain S. Thomas)

I hope that in the future they invent a small golden light that follows you everywhere and when something is about to end, it shines brightly so you know it’s about to end.

And if you’re never going to see someone again, it’ll shine brightly and both of you can be polite and say, “It was nice to have you in my life while I did, good luck with everything that happens after now.”

And maybe if you’re never going to eat at the same restaurant again, it’ll shine and you can order everything off the menu you’ve never tried. Maybe, if someone’s about to buy your car, the light will shine and you can take it for one last spin. Maybe, if you’re with a group of friends who’ll never be together again, all your lights will shine at the same time and you’ll know, and then you can hold each other and whisper, “This was so good. Oh my God, this was so good.”

Utopia (Louise Gluck)

When the train stops, the woman said, you must get on it. But how will I
know, the child asked, it is the right train? It will be the right train, said the
woman, because it is the right time. A train approached the station; clouds
of grayish smoke streamed from the chimney. How terrified I am, the child
thinks, clutching the yellow tulips she will give to her grandmother. Her hair
has been tightly braided to withstand the journey. Then, without a word,
she gets on the train, from which a strange sound comes, not in a language
like the one she speaks, something more like a moan or a cry.

8th Grade (Dave Bronson)

When they are done
They walk up to my desk
Ever so slightly unassured
And pass in their completed papers
One after another
Staggered by effort
And ability

The first papers
Are placed uniformly
Parallel
To the corners of my desk
But soon
Placed in haste
They begin to break down
Each a slight variation on disorder
And if I don’t interrupt
on their behalf
Grabbing the whole of it
And letting its own weight
Slide down on its edge
Lifting and falling
Smashing them down
Over and again
Until they all fall
Back into line

The entirety
Of the previous order
Would be
Unrecognizable

mind and heart (Charles Bukowski)

unaccountably we are alone
forever alone
and it was meant to be
that way,
it was never meant
to be any other way–
and when the death struggle
begins
the last thing I wish to see
is
a ring of human faces
hovering over me–
better just my old friends,
the walls of my self,
let only them be there.

I have been alone but seldom
lonely.
I have satisfied my thirst
at the well
of my self
and that wine was good,
the best I ever had,
and tonight
sitting
staring into the dark
I now finally understand
the dark and the
light and everything
in between.

peace of mind and heart
arrives
when we accept what
is:
having been
born into this
strange life
we must accept
the wasted gamble of our
days
and take some satisfaction in
the pleasure of
leaving it all
behind.

cry not for me.

grieve not for me.

read
what I’ve written
then
forget it
all.

drink from the well
of your self
and begin
again.

Fishing in the keep of Silence (Linda Gregg)

There is a hush now while the hills rise up
and God is going to sleep. He trusts the ship
of Heaven to take over and proceed beautifully
as he lies dreaming in the lap of the world.
He knows the owls will guard the sweetness
of the soul in their massive keep of silence,
looking out with eyes open or closed over
the length of Tomales Bay that the egrets
conform to, whitely broad in flight, white
and slim in standing. God, who thinks about
poetry all the time, breathes happily as He
repeats to Himself: there are fish in the net,
lots of fish this time in the net of the heart.

Questions to Tourists Stopped by a Pineapple Field (W S Merwin)

Did you like your piece of pineapple          would you like a napkin
Who gave you the pineapple          what do you know about them
Do you eat much pineapple          where you come from
How did this piece compare          with pineapple you have eaten before
What do you remember about the last time          you ate a piece of pineapple
Did you know where it came from          how much did it cost
Do you remember the first time          you tasted pineapple
Do you like it better fresh          or from the can
What do you remember          of the picture on the can
Which do you like better          the picture or the pineapple field
Did you ever imagine          pineapples growing somewhere

How do you like          these pineapple fields
Have you ever seen          pineapple fields before
Do you know whether pineapple          is native to the islands
Do you know whether the natives          ate pineapple
Do you know whether the natives          grew pineapple
Do you know how the land was acquired          to be turned into pineapple fields
Do you know what is done to the land          to turn it into pineapple fields
Do you know how many months          and how deeply they plow it
Do you know what those machines do          are you impressed
Do you know what is in those containers         are you interested

What do you think was here          before the pineapple fields
Would you suppose that the fields          represent an improvement
Do you think they smell better          than they did before
Where do you think the plastic          goes when the crop is over
What do you think becomes of the land          when the crop is over
What and where was the last          animal you noticed
What was the last          bird you noticed
Do you remember          what sort of bird it was
Do you know whether          there were birds here before
Are there any birds          where you come from
Do you think it matters         what do you think matters more
Have you seen any          natives since you arrived
What were they doing           what were they wearing
What language were they speaking          were they in nightclubs
Are there any natives          where you come from

Have you taken pictures          of the pineapple fields
Would you like for me         to hold the camera
So that you can all          be in the picture
Would you mind          if I took your picture
Do you expect           to come back
What made you decide          to come here
Was this what           you came for
When did you first          hear of the islands
Where were you then           how old were you
Did you first see the islands          in black and white
What words were used          to describe the islands

What do the words mean          now that you are here
What do you do          for a living
What would you say is          the color of pineapple leaves
When you look at things in rows          wo do you feel
Would you like to dream           of pineapple fields

Is this your first visit          how do you like the islands
What would you say          in your own words
You like best          about the islands
What do you want          when you take a trip
When did you get here          how long will you be staying
Did you buy any clothes          especially for the islands
How much did you spend on them          before you came
Was it easy to find clothes          for the islands
How much have you spent on clothes          since you got here
Did you make your own plans          or are you part of a group
How many are in your group           how much was your ticket
Are the side-tours part of the ticket          or are they extra
Have you already paid          or will you pay later
Did you pay by check          or by credit card
Is this car rented          by the day or week
How does it compare           with the one you drive at home
How many miles          does it do to a gallon
How far do you          want it to go on this island

Where have you been         in the last three hours
What have you seen          in the last three miles
Do you feel hurried          on your vacation
Are you getting         your money’s worth
How old are you          are you homesick are you well
What do you eat here          is it what you want
What gifts are you planning          to take back
How much do you expect          to spend on them
What have you bought          to take home with you
Have you decided          where to put each thing
What will you say          about where they came from
What will you say         about the pineapple fields

Do you like dancing here          what do you do when it rains
Was this trip          purely for pleasure
Do you drink more          or less at than at home
How do you like          the place where you live now
Were you born there          how long have you lived there
What does the name mean          is it a growth community
Why are you living there          how long do you expect to stay
How old is your house          would you like to sell it
In your opinion          coming from your background
What do the islands offer          someone of your age
Are there any changes          you would like to promote
Would you like to invest here          would you like to live here
If so would it be year round          or just for part of the year
Do you think there is a future          in pineapple

Places I have heard the ocean (Faith Shearin)

In a cat’s throat, in a shell I hold

to my ear — though I’m told

this is the sound of my own

blood. I have heard the ocean

in the city: cars against

the beach of our street. Or in

the subway, waiting for a train

that carries me like a current.

In my bed: place of high and low

tide or in my daughter’s skates,

rolling over the sidewalk.

Ocean in the trees when they

fill their heads with wind.

Ocean in the rise and fall:

lungs of everyone I love.

Let Evening Come (Jane Kenyon)

Let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down.

Let the cricket take up chafing
as a woman takes up her needles
and her yarn. Let evening come.

Let dew collect on the hoe abandoned
in long grass. Let the stars appear
and the moon disclose her silver horn.

Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.

To the bottle in the ditch, to the scoop
in the oats, to air in the lung
let evening come.

Let it come, as it will, and don't
be afraid. God does not leave us
comfortless, so let evening come.

For a Five Year Old (Fleur Adcock)

A snail is climbing up the window-sill
into your room, after a night of rain.
You call me in to see and I explain
that it would be unkind to leave it there:
it might crawl to the floor; we must take care
that no one squashes it. You understand,
and carry it outside, with careful hand,
to eat a daffodil.

I see, then, that a kind of faith prevails:
your gentleness is moulded still by words
from me, who have trapped mice and shot wild birds,
from me, who drowned your kittens, who betrayed
your closest relatives and who purveyed
the harshest kind of truth to many another,
But that is how things are: I am your mother,
And we are kind to snails.

What the Dead Don't Need (Faith Shearin)

No need for shoes, of course, or closets full of empty

dresses. No need for the shade of trees or the approval

of parents and friends. They don’t care about the objects

of this world: a new computer, a house overlooking

the sea. The place they occupy may or may not contain

a window to all they’ve left behind. We, the living, think

of them without knowing who or what they have become.

Ghosts? Dust? Butterflies? Wind? Other mysteries —

puberty, sex, childbirth — are the business of life, and

anyone can tell their story. On the matter of death: only

a closed box and the silence of earth or ashes. When my

daughter was small, my disappearance behind a blanket

or curtain seemed permanent. How could I exist if

I was not visible? When I returned, she was grateful:

laughter and kisses, her hand on the roots of my hair.

Arms (Dave Bronson)

I wrote this after a woman was murdered in the town next to me. I live in a small town and the eventually successful search took two years. The search for the killer, in such a small community, was pretty awful, and something that I won't forget.

I search for the arms
of strangers,
of friends,
of my family.

People pass by me
and their eyes drop
to my arms
before they meet
my face again.

They found a woman's body
hands, feet and face
burned. Naked
tossed into the woods.

Her killer
still unidentified.

They asked for tips.
She struggled
they said,
her violator may have been wounded.
Scratches and bruises may still be visible
on the forearms of her attacker.

So I find myself
staring down
at the pale arms
of men,
of the unkempt elderly man at Honey Farms,
of the teenage gas attendant who never quite
meets my eyes,
but also
at the father of my daughter's afternoon playdate,
the teenage sons of my neighbors
and at an evening barbecue, my own father,
questioning against doubt
what they are capable of.

And when I am alone,
even though I know,
in the mornings
I look down
at my own arms
unmarked.

And still, I check
twice.

One Boy Told Me (Naomi Shihab Nye)

Music lives inside my legs.
It’s coming out when I talk.

I’m going to send my valentines
to people you don’t even know.

Oatmeal cookies make my throat gallop.

Grown-ups keep their feet on the ground
when they swing. I hate that.

Look at those 2 o’s with a smash in the middle—
that spells good-bye.

Don’t ever say “purpose” again,
let’s throw the word out.

Don’t talk big to me.
I’m carrying my box of faces.
If I want to change faces I will.

Yesterday faded
but tomorrow’s in BOLDFACE.

When I grow up my old names
will live in the house
where we live now.
I’ll come and visit them.

Only one of my eyes is tired.
The other eye and my body aren’t.

Is it true all metal was liquid first?
Does that mean if we bought our car earlier
they could have served it
in a cup?

There’s a stopper in my arm
that’s not going to let me grow any bigger.
I’ll be like this always, small.

And I will be deep water too.
Wait. Just wait. How deep is the river?
Would it cover the tallest man with his hands in the air?

Your head is a souvenir.

When you were in New York I could see you
in real life walking in my mind.

I’ll invite a bee to live in your shoe.
What if you found your shoe
full of honey?

What if the clock said 6:92
instead of 6:30? Would you be scared?

My tongue is the car wash
for the spoon.

Can noodles swim?

My toes are dictionaries.
Do you need any words?

From now on I’ll only drink white milk
on January 26.

What does minus mean?
I never want to minus you.

Just think—no one has ever seen
inside this peanut before!

It is hard being a person.

I do and don’t love you—
isn’t that happiness?

First Kiss (April Lindner)

This collision of teeth, of tongues and lips,
is like feeling for the door
in a strange room, blindfolded.
He imagines he knows her
after four dates, both of them taking pains
to laugh correctly, to make eye contact.
She thinks at least this long first kiss
postpones the moment she'll have to face
four white walls, the kitchen table,
its bowl of dried petals and nutmeg husks,
the jaunty yellow vase with one jaunty bloom,
the answering machine's one bloodshot eye.

Spring (Dave Bronson)

Sometimes the poems that I write come fast, the words are right there. This was one of those, written a couple of years ago in March.


Everyone is concerned with
what lies deep within
the heart and soul and such things
But it is in your face
that I see you
a shallow, light-filled stream
laughing across the surface
And I am sure
your bedrock is down there
hardened and broken
but on this leafless spring morning
I am looking for the sun.

When I am Asked (Lisel Mueller)

When I am asked   

how I began writing poems,   

I talk about the indifference of nature.   

It was soon after my mother died,   

a brilliant June day,   

everything blooming.   

I sat on a gray stone bench   

in a lovingly planted garden,   

but the day lilies were as deaf   

as the ears of drunken sleepers   

and the roses curved inward.   

Nothing was black or broken   

and not a leaf fell   

and the sun blared endless commercials   

for summer holidays.   

I sat on a gray stone bench   

ringed with the ingenue faces   

of pink and white impatiens   

and placed my grief   

in the mouth of language,   

the only thing that would grieve with me.